Michael Barker on 'bittersweet' nominations and watching Richard Linklater's career bloom

Posted by · 7:04 am · January 16th, 2014

It was a bittersweet morning for Sony Pictures Classics co-president Michael Barker. One one hand his company’s films “Before Midnight,” “Blue Jasmine” and “The Invisible Woman” combined for a total of five nominations, including a somewhat surprising bid for “Blue” supporting actress Sally Hawkins. On the other, it was a rare occasion where the indie distributor had no nominees in either the Best Documentary Feature or Best Foreign Language Film categories, and neither “Blue” nor “Midnight” was able to push into the Best Picture field.

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Exclusive: 'Tim's Vermeer' poster finds genius between the brushstrokes

Posted by · 9:41 am · December 5th, 2013

HitFix has the exclusive premiere of the poster for one of the year’s most celebrated documentaries.

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At least Alex Gibney got ONE of his docs to the next phase of Academy voting

Posted by · 9:47 am · December 3rd, 2013

The Academy has narrowed the field of 147 documentary feature contenders to 15, and the key omissions appear to be Alex Gibney’s “We Steal Secrets: The Story of WikiLeaks,” Martha Shane and Lana Wilson’s “After Tiller” and and Errol Morris’ “The Unknown Known,” among others.

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Watch: Penn Jillette in a clip from Telluride stand-out 'Tim's Vermeer'

Posted by · 1:44 pm · September 5th, 2013

A new clip from Telluride hit “Tim’s Vermeer” does a good job of setting the overall scene for the theory Tim Jenison puts to the test throughout the film.

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Telluride: Wrapping up the 40th annual fest

Posted by · 6:06 am · September 3rd, 2013

The 40th annual Telluride Film Festival has come to a close, unofficially launching the Oscar season and wrapping up another wonderfully curated program that continues to be one of my most anticipated journeys each year.

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Telluride: Penn and Teller's 'Tim's Vermeer' might be the breakout hit of the festival

Posted by · 10:17 pm · September 1st, 2013

I must say I’m happy to see that the media is finding its way to Penn and Teller’s “Tim’s Vermeer” here at the fest. I caught the film on a whim Thursday morning and haven’t found the right time and headspace to write it up, but it might just be — still — my favorite entry of the 40th annual Telluride Film Festival.

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