As I wrote last weekend when I broke down this year’s Oscar race for Best Documentary Feature, I really wish I had caught up with “5 Broken Cameras” earlier in the season. It is quite simply one of the most astonishing pieces of work I’ve seen all year and could easily have figured on my top 10 list (where “The Queen of Versailles” was already featured — it’s been such a great year for the form). I was happily, then, greeted with the news that the film took the top prize at tonight’s Cinema Eye Honors.

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