The second-oldest critics group in the country (behind the NYFCC), the Kansas City Film Critics Circle, has announced its slate of 2012 winners. “The Master” took Best Picture while “Life of Pi” helmer Ang Lee won Best Director. Daniel Day-Lewis and Jennifer Lawrence won top acting honors for “Lincoln” and “Silver Linings Playbook,” respectively.
'The Master,' 'Ang Lee' win with Kansas City Film Critics Circle
Posted by Kristopher Tapley · 3:24 pm · December 16th, 2012
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'Lincoln' leads Houston Film Critics nods
Posted by Guy Lodge · 11:10 am · December 16th, 2012
‘Anna Karenina’ nabs a nomination… as the year’s worst
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Indiana Film Journalists Association announces longlists of nominees, 'The Master' leads the way
Posted by Kristopher Tapley · 9:27 am · December 15th, 2012
The Indiana Film Journalists Association has, for the first time this year, elected to publicly acknowledge its full list of nominees for superlatives to be announced on Monday. It’s a massive list including, apparently, every film mentioned in each category by the group’s respective members.
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'Holy Motors' tops Film Comment's list of the year's best
Posted by Kristopher Tapley · 12:23 pm · December 14th, 2012
The FIlm Society of Lincoln Center’s annual survey of film critics, journalists and editors left Leos Carax’s “Holy Motors” at the top of an auteur heavy list of films from fimmakers such as Paul Thomas Anderson, Nuri Bilge Ceylan and Wes Anderson, among others.
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'The Master' leads with 10 Chicago critics' nods
Posted by Guy Lodge · 9:25 am · December 14th, 2012
‘Beasts of the Southern Wild’ also gets a boost.
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Roundup: Tom Hooper on the 'logic' of his Globes omission
Posted by Guy Lodge · 5:01 am · December 14th, 2012
Also: Guardian names ‘The Master’ 2012’s best, and the year in posters
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Tech Support: 'Lincoln,' 'Life of Pi' and 'Anna Karenina' lead the race for Best Original Score
Posted by gerardkennedy · 11:58 am · December 13th, 2012
As always, international flavor abounds.
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Golden Globe nominations breathe new life for 'The Master' stars, 'Django'
Posted by Kristopher Tapley · 5:52 am · December 13th, 2012
The first thought that jumped to mind after today’s Golden Globe nominations announcement was, “Not too embarrassing.”
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The Long Shot: Categorically speaking
Posted by Guy Lodge · 7:22 pm · December 12th, 2012
The leading-supporting divide is blurrier than ever in this year’s Oscar race
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Some SAG surprises indicate unexpected currents in the season
Posted by Kristopher Tapley · 5:57 am · December 12th, 2012
The awards-obsessive corners of the web were all abuzz this morning with murmurs of a supposed “leak” of the 19th annual SAG nominees. Intrepid net hounds had apparently gone into the guild’s website and done some choice searching to turn out what ended up being, indeed, the full list of nominees. So what were they and what do they mean?
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'Argo' takes top honors from San Diego Film Critics, 'Perks' gets some love
Posted by Guy Lodge · 6:20 pm · December 11th, 2012
Critics go their own way with awards for Michelle Williams and Emma Watson.
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Amy Adams to receive Vanguard Award at Santa Barbara fest
Posted by Guy Lodge · 1:41 pm · December 10th, 2012
The actress is aiming for her fourth Oscar nod this season.
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'The Master' leads San Diego film critics nominations
Posted by Kristopher Tapley · 1:12 pm · December 10th, 2012
The San Diego Film Critics Society also dropped its nominees over the weekend and, well, they flew under my radar. But here they are, and “The Master” led the way with nine nominations. Not far behind was “Argo” with eight. “Django Unchained’ picked up five while “Zero Dark Thirty” only managed four. “Silver Linings Playbook” rounded out the Best Film nominees with six nominations.
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'Amour,' 'The Master' win big with Los Angeles Film Critics Association
Posted by Kristopher Tapley · 1:54 pm · December 9th, 2012
Over a week after their colleagues on the east coast went in big for Kathryn Bigelow’s “Zero Dark Thirty,” the Los Angeles Film Critics Association put the brakes on Kathryn Bigelow’s film, which has been dominating the circuit. It even won two Best Picture prizes today, but one of them was not LAFCA’s crown. Instead, the LA critics went with Michael Haneke’s “Amour,” and as a runner-up, a film clearly beloved by the group that won four other prizes, including Best Director, Best Actor and Best Supporting Actress.
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'Zero Dark Thirty' wins Best Picture and Best Director from the Boston Society of Film Critics
Posted by Kristopher Tapley · 12:06 pm · December 9th, 2012
The Boston Society of Film Critics has joined the New York Film Critics Circle and the National Board of Review in crowning “Zero Dark Thirty” the year’s best film. Kathryn Bigelow won Best Director while Daniel Day-Lewis (“Lincoln”) and Emmanuelle Riva (“Amour”) won top acting honors.
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The Long Shot: It's an award, not a precursor
Posted by Guy Lodge · 4:27 pm · December 5th, 2012
Critics’ choices remind us their awards are more than a means to an Oscar.
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Roundup: Unpicking the NYFCC vote
Posted by Guy Lodge · 6:31 am · December 4th, 2012
Also: ‘Lore’ and ‘Sapphires’ rule Down Under, and Sundance premieres revealed
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Off the Carpet: The critics close ranks
Posted by Kristopher Tapley · 5:03 am · December 3rd, 2012
Earlier today we launched this season’s edition of The Circuit, which will track the ups and downs of the precursor circuit from the critics awards to the guild announcements all the way through the Oscars and more. Things will kick off later this afternoon as the New York Film Critics Circle sits down to hold its annual vote and then its off to the races.
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