The Long Shot: Backlash to the future

Posted by · 6:10 pm · January 4th, 2012

If you believe certain Oscar-watchers, nominal Best Picture favorite “The Artist” is currently facing a “backlash” in certain quarters, but what does that mean — and does it even exist? Plus, this week’s revised nominee predictions.

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Predicting the 2011 WGA nominees

Posted by · 9:48 am · January 4th, 2012

Tomorrow the Writers Guild of America (WGA) announces its narrative feature and documentary nominees. Something to remember is that a number of this year’s Oscar-contending screenplays are ineligible for the award due to membership or signatory issues, meaning this is just an opportunity for other films that wouldn’t normally have much room to get into the awards conversation.

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Art Directors Guild nominees include 'Anonymous,' 'Captain America' and 'Drive'

Posted by · 7:12 pm · January 3rd, 2012

The Art Directors Guild and the Costume Designers Guild announced its slate of nominees this evening, and the surprises were few and far between. One of them, though, was the exclusion of “War Horse” in the period category.

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'The Artist' leads with 4 Vancouver critics nods

Posted by · 5:07 pm · January 2nd, 2012

The Vancouver Film Critics Circle has joined the chorus with a list of nominees (mostly three in each category). “The Artist” led the way with four mentions. Melissa McCarthy made it in for “Bridesmaids” despite it being a trimmed-down category.

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Predicting the 2011 PGA nominees

Posted by · 10:57 am · January 2nd, 2012

This year’s PGA nominees will do little to clear up the Best Picture scenario at the Oscars. Why? Because the guild will be chalking up a full slate of 10 nominees once again, despite the fact that the Academy’s final line-up could be anywhere from five to 10. So what will the PGA spring for?

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'Tree of Life' leads the way with Central Ohio critics nominations

Posted by · 9:11 am · January 2nd, 2012

The Central Ohio Film Critics Association should implement different nominating procedures so that ties, etc., don’t leave them with a ridiculous slate of 15 BEST PICTURE NOMINEES. Anyway, it looks like “The Tree of Life” has the most mentions.

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Oscar Talk: Ep. 75 — Critics' picks so far, 'War Horse' box office, PGA/WGA preview, boiling down Best Actress and more

Posted by · 8:00 am · December 31st, 2011

In this week’s Oscar Talk, Kris and Anne discuss the critics’ awards and lists so far, preview the upcoming PGA and WGA announcements and examine the Best Actress race one more time, among many other things.

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Round-up: Time-traveling to the origins of 'Midnight in Paris'

Posted by · 7:55 am · December 27th, 2011

Also: Streep’s Thatcher turnaround and Ebert’s top docs

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'Tree of Life' leads with 7 nods from Online Film Critics Society

Posted by · 9:59 am · December 26th, 2011

Today, the Online Film Critics Society has declared nominations (or maybe I missed them pre-Christmas, I don’t know). And I guess it’s only fitting that, given the group, it’s the slate most in-line with my own views of the film year so far.

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Round-up: 'Tis the season to be… snarky?

Posted by · 8:20 am · December 24th, 2011

Also: Craig on switching from Bond to Blomkvist, and ‘Moneyball’ tech talk

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Oklahoma critics march in step, spring for 'The Artist,' Clooney and Williams

Posted by · 3:11 pm · December 23rd, 2011

The Oklahoma Film Critics Circle has spoken up and added nothing to the precursor conversation, going with a slate of typical winners. Most annoying, they totally got their “Obviously Worst Film” and “Not-So-Obviously-Worst-Film” awards mixed, but whatever.

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Utah critics award 'Drive,' '50/50'

Posted by · 10:02 am · December 21st, 2011

The Utah Film Critics Association has chosen “Drive” as the Best Picture of the year. The film also won Best Supporting Actor for Albert Brooks and Best Cinematography. The group handed two awards to Jonathan Levine’s “50/50,” Best Actor for Joseph Gordon-Levitt and Best Original Screenplay.

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Black Film Critics Circle taps 'The Help' best of the year

Posted by · 6:13 pm · December 20th, 2011

The Black Film Critics Circle has chosen “The Help” as the best film of the year. The film won four other awards, including Best Actress for Viola Davis. “Pariah” director Dee Rees won Best Director, one of three awards for the film. And Albert Brooks added yet another honor to his mantle.

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Women critics like 'The Help,' 'The Iron Lady' and 'The Whistleblower'

Posted by · 5:31 pm · December 20th, 2011

The Women Film Critic Circle has come out in strong favor of “The Help,” “The Iron Lady” and “The Whistleblower.” The association has made selections that feel generally in line with the films and performances one would imagine ought to be be highlighted in this year’s landscape. Though I will confess their choices are seasoned with one or two surprises.

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Off the Carpet: Setting the field with the precursors so far

Posted by · 11:41 am · December 19th, 2011

In just three weeks we’ve gone from zero to a hundred on the circuit as the film awards landscape has been sculpted into a bit of a consensus in these waning moments of 2011. Let’s see what that consensus appears to be.

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Florida critics spring for 'Descendants,' Scorsese

Posted by · 9:11 am · December 19th, 2011

The Florida Film Critics Circle has tossed its hat into the over-stuffed precursor ring this year by picking “The Descendants” as the year’s best film. Martin Scorsese picked up the Best Director prize for “Hugo” while Michelle Williams continued a dominating streak by nabbing Best Actress.

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'The Artist' wins five from St. Louis critics

Posted by · 9:04 am · December 19th, 2011

After submitting nominees last week, the St. Louis Gateway Film Critics Association has picked “The Artist” as this year’s Best Picture winner. Michel Hazanavicius won Best Director and Best Original Screenplay for the film, while Rooney Mara was singled out for her performance in “The Girl with the Dragon Tattoo.”

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Southeastern film critics go for 'Descendants,' Scorsese, Clooney, Streep

Posted by · 8:47 am · December 19th, 2011

The Southeastern Film Critics Association has crowned “The Descendants” the year’s best film, but with no awards for “The Artist,” one wonders if the high on that film is subsiding.

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