I kind of fell for Noah Baumbach’s “Frances Ha” at last year’s Telluride Film Festival. I’m not a Baumbach acolyte, though I did like “Greenberg,” so that also made it a pleasant surprise, I guess. This kind of thing rarely works for me, though. Or at least, it has to hit a very precise target, and when that happens, it always feels pretty special. That’s what we always look for in a darkened theater, right?

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