Roundup: Good and bad news for Desplat in the Oscar race

Posted by · 8:00 am · December 12th, 2012

Also: R.I.P. Ravi Shankar, and why film culture lives on

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Tech Support: Sarah Greenwood and Katie Spencer on a 'risky' world in 'Anna Karenina'

Posted by · 7:41 am · December 7th, 2012

Is all the world a stage? Well, in Joe Wright’s “Anna Karenina,” the stage became the medium through which the director retold Leo Tolstoy’s classic story. An unusual choice fraught with risks? To be sure. An extraordinary amount of potential? Equally certain. But production designer Sarah Greenwood and set decorator Katie Spencer were tasked with helping Wright’s vision come to fruition. We recently spoke to the duo about their work on the film.

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Roundup: Why this year's Oscar race is so money

Posted by · 4:00 am · November 30th, 2012

Also: The playwrights in the writing race, and dressing ‘Hitchcock’

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Tech Support: 'Anna Karenina,' 'Snow White and the Huntsman' and 'A Royal Affair' feature in Best Costume Design

Posted by · 6:29 am · November 29th, 2012

Oscar night is known for its glamor. “Who are you wearing” becomes a popular question to ask nominees as they make their way down the red carpet. But on screen, clothes do more than make actors look good. They certainly do that, but they also tell us something about the characters who wear them. They reveal things, telling the story visually like every other element of a production.

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Off the Carpet: The Oscar bait got good

Posted by · 7:07 am · November 26th, 2012

They looked good on paper AND the screen in 2012.

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Tech Support: Jacqueline Durran on playing with history (and Chanel) in 'Anna Karenina'

Posted by · 11:28 am · November 23rd, 2012

The British costume designer seeks her third Oscar nod for Joe Wright’s latest

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Roundup: Fall of the 'Guardians?'

Posted by · 6:22 am · November 21st, 2012

Also: Frank Ocean’s ‘Django’ tune, and 2012’s narrative rule-breakers

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Tell us what you thought of 'Anna Karenina'

Posted by · 4:19 pm · November 17th, 2012

Joe Wright’s Leo Tolstoy adaptation rolls out this weekend.

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Oscar Talk: Ep. 96 — Thanksgiving on the way, 'Anna Karenina' and 'Silver Linings' open

Posted by · 8:00 am · November 16th, 2012

In this week’s podcast, Kris and Anne discuss the upcoming Thanksgiving holiday and films looking to capitalize, revisit this weekend’s openers — “Anna Karenina” and “Silver Linings Playbook” — and dig in on Best Makeup and Hairstyling.

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Tech Support: 'Cloud Atlas' and 'The Hobbit' lead the race for Best Makeup and Hairstyling

Posted by · 6:47 am · November 15th, 2012

The category gets a name change as a varied field takes shape.

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'Les Mis' and 'Atonement' producers Tim Bevan and Eric Fellner to receive PGA's highest honor

Posted by · 5:15 pm · November 14th, 2012

Will that be the only award they win from the Producers’ Guild this season?

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Roundup: Can GKIDS crash the animation Oscar race again?

Posted by · 6:17 am · November 14th, 2012

Also: Phoenix makes amends, and the most deserving Best Actor no-hopers.

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The Long Shot: Independent women

Posted by · 5:30 pm · November 7th, 2012

The Best Actress race is only as weak as voters choose to make it.

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Roundup: Low screen count for high frame rate in 'The Hobbit'

Posted by · 7:10 am · November 7th, 2012

Also: Hollywood under Obama, and ‘Skyfall’ still storming Britain

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Tech Support: 'Anna Karenina,' 'Les Mis' and 'Lincoln' lead the race for Best Production Design

Posted by · 8:14 am · November 1st, 2012

Other contenders include ‘Prometheus’ and ‘Cloud Atlas’ as period, fantasy and contemporary mix it up.

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Off the Carpet: Eye of the storm

Posted by · 10:10 am · October 29th, 2012

With a chunk of the season’s reveals behind us, there’s plenty more to come.

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The Long Shot: Are the British coming?

Posted by · 10:50 am · October 17th, 2012

In a weak year for UK, ‘Les Mis’ carries the Limeys’ Oscar hopes.

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Tech Support: 'Life of Pi,' 'Lincoln' and 'The Master' lead the race for Best Cinematography

Posted by · 8:14 am · October 11th, 2012

This week’s edition of Tech Support surveys the field of Best Cinematography contenders, from westerns to war, bayous to Bond.

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