Roundup: Richard Gere joins the Palm Springs honoree list

Posted by · 4:07 am · December 17th, 2012

Also: Composing ‘Skyfall,’ and should we know the Oscar voting tallies?

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'The Master,' Bigelow, Phoenix, Riva win San Francisco Film Critics Circle awards

Posted by · 7:16 pm · December 16th, 2012

The San Francisco Film Critics Circle has joined the game, and the bandwagon for Paul Thomas Anderson’s “The Master,” handing the film Best Picture and Best Actor honors. Kathryn Bigelow won Best Director for “Zero Dark Thirty” while Emmanuelle Riva won Best Actress for “Amour.”

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'The Master,' 'Ang Lee' win with Kansas City Film Critics Circle

Posted by · 3:24 pm · December 16th, 2012

The second-oldest critics group in the country (behind the NYFCC), the Kansas City Film Critics Circle, has announced its slate of 2012 winners. “The Master” took Best Picture while “Life of Pi” helmer Ang Lee won Best Director. Daniel Day-Lewis and Jennifer Lawrence won top acting honors for “Lincoln” and “Silver Linings Playbook,” respectively.

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Exclusive: 'Les Mis,' 'Django,' 'Beasts,' 'Amour' among 2012 scripts not eligible for WGA

Posted by · 5:05 pm · December 15th, 2012

Every year it’s worth noting that a number of the original and adapted screenplays in the hunt for Oscar consideration won’t get the extra bump of a nomination from the Writers Guild of America (WGA). Reasons for failing to qualify include the writer of the script not being a guild member or not retroactively handling the requisite process, among other things.

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'Holy Motors' tops Film Comment's list of the year's best

Posted by · 12:23 pm · December 14th, 2012

The FIlm Society of Lincoln Center’s annual survey of film critics, journalists and editors left Leos Carax’s “Holy Motors” at the top of an auteur heavy list of films from fimmakers such as Paul Thomas Anderson, Nuri Bilge Ceylan and Wes Anderson, among others.

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Sony Classics co-chief Michael Barker remains positive on Oscar chances for 'Amour'

Posted by · 10:01 am · December 13th, 2012

He draws a line between Michael Haneke’s career now and Ingmar Bergman’s in 1973.

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Some SAG surprises indicate unexpected currents in the season

Posted by · 5:57 am · December 12th, 2012

The awards-obsessive corners of the web were all abuzz this morning with murmurs of a supposed “leak” of the 19th annual SAG nominees. Intrepid net hounds had apparently gone into the guild’s website and done some choice searching to turn out what ended up being, indeed, the full list of nominees. So what were they and what do they mean?

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Emmanuelle Riva on playing part of a Michael Haneke symphony in 'Amour'

Posted by · 4:10 pm · December 10th, 2012

We talk to the Boston and Los Angeles critics’ choice for Best Actress.

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'Amour,' 'The Master' win big with Los Angeles Film Critics Association

Posted by · 1:54 pm · December 9th, 2012

Over a week after their colleagues on the east coast went in big for Kathryn Bigelow’s “Zero Dark Thirty,” the Los Angeles Film Critics Association put the brakes on Kathryn Bigelow’s film, which has been dominating the circuit. It even won two Best Picture prizes today, but one of them was not LAFCA’s crown. Instead, the LA critics went with Michael Haneke’s “Amour,” and as a runner-up, a film clearly beloved by the group that won four other prizes, including Best Director, Best Actor and Best Supporting Actress.

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'Zero Dark Thirty' tops New York Film Critics Online winners

Posted by · 12:09 pm · December 9th, 2012

Just minutes after the Boston Society of Film Critics crowned “Zero Dark Thirty” the year’s best film, the New York Film Critics Online went and did the very same thing. They also spotlighted Kathryn Bigelow in the Best Director category (as well as Mark Boal’s screenplay), and, like Boston, went with Daniel Day-Lewis and Emmanuelle Riva in the lead acting categories.

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'Zero Dark Thirty' wins Best Picture and Best Director from the Boston Society of Film Critics

Posted by · 12:06 pm · December 9th, 2012

The Boston Society of Film Critics has joined the New York Film Critics Circle and the National Board of Review in crowning “Zero Dark Thirty” the year’s best film. Kathryn Bigelow won Best Director while Daniel Day-Lewis (“Lincoln”) and Emmanuelle Riva (“Amour”) won top acting honors.

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Off the Carpet: The critics close ranks

Posted by · 5:03 am · December 3rd, 2012

Earlier today we launched this season’s edition of The Circuit, which will track the ups and downs of the precursor circuit from the critics awards to the guild announcements all the way through the Oscars and more. Things will kick off later this afternoon as the New York Film Critics Circle sits down to hold its annual vote and then its off to the races.

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'The Master' named 2012's best in Sight & Sound critics' poll

Posted by · 4:00 pm · December 2nd, 2012

‘Tabu’ and ‘Amour’ take medal positions in poll of over 90 international critics.

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A postcard from Malta: Celebration and solemnity at the European Film Awards

Posted by · 1:53 pm · December 2nd, 2012

Europe’s Oscars capture a rich film culture at a crossroads.

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'Amour' reigns supreme at European Film Awards

Posted by · 12:45 pm · December 1st, 2012

The Oscar hopeful wins for Film, Director, Actor and Actress of the Year

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Previewing the European Film Awards: will 'Amour' find love?

Posted by · 5:12 pm · November 30th, 2012

What will win, and what should, at Europe’s answer to the Oscars, which take place tomorrow in Malta.

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Off the Carpet: The Oscar bait got good

Posted by · 7:07 am · November 26th, 2012

They looked good on paper AND the screen in 2012.

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Roundup: Thelma Schoonmaker on the perils of digitization

Posted by · 7:01 am · November 23rd, 2012

Also: Older women in the Oscar race, and a ‘Grave of the Fireflies’ remake?

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