Review: The beautiful losers of 'Bombay Beach'

Posted by · 8:25 am · October 23rd, 2011

It’s been four months since I saw Alma Har’el’s alternately upsetting and joyful hybrid documentary “Bombay Beach,” but sounds and images from the film haunt me still.

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Alexandre Desplat tapped for 'Extremely Loud'

Posted by · 3:47 pm · October 21st, 2011

Alexandre Desplat is one of the hardest working quality composers in the industry. And he’s just been announced as “quietly” working on the score for one of the season’s most anticipated contenders: Stephen Daldry’s “Extremely Loud and Incredibly Close.”

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Searchlight on taking the 'Shame' out of NC-17

Posted by · 3:14 pm · October 21st, 2011

With Fox Searchlight boldly announcing plans for a full-scale Oscar campaign for Steve McQueen’s sexually explicit (and presumably NC-17 rated) “Shame,” we wonder what this could mean both for the film and the future.

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Oscar Talk: Ep. 66 — Gotham Awards, NYFCC's FIRST! move, 'Tintin,' London fest and more

Posted by · 8:00 am · October 21st, 2011

In this week’s Oscar Talk podcast Anne and Kris are joined by Guy Lodge from London, who is taking in the London Film Festival and saw Steven Spielberg’s “The Adventures of Tintin: The Secret of the Unicorn” recently. We also dig in on the Gotham Award nominations announcement and the NYFCC’s recent surprising twist on the season.

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Oscarweb Round-up: Altair and Ezio find a home at Sony

Posted by · 7:07 am · October 21st, 2011

In today’s round-up, the film rights for “Assassin’s Creed” land at Sony, the “Martha Marcy May Marlene” crew makes the press rounds and Jude Law sticks up for investigative journalists — despite playing the worst of their kind in “Contagion.”

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Review: 'Miss Bala' opens fire

Posted by · 3:46 pm · October 20th, 2011

Selected as Mexico’s candidate for the Best Foreign Language Film Oscar after a wave of festival buzz, Gerardo Naranjo’s “Miss Bala” is a dazzling drug-cartel thriller, revolving around the unlikely political center of the Miss Baja California beauty pageant.

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Announcing the grand re-opening of The Contenders!

Posted by · 12:40 pm · October 20th, 2011

We’re happy to reveal our newly revamped Contenders section at In Contention. Each category features a ranked list of 30 Oscar hopefuls. And once again, we’ll be charting the ups and downs of players throughout the season.

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Tech Support: Period pieces from 'Hugo' to 'W.E.' stand out for Best Costume Design

Posted by · 8:03 am · October 20th, 2011

In Tech Support this week we tackle the category of Best Costume Design. Strong contenders include Madonna’s “W.E.,” Martin Scorsese’s “Hugo” and Steven Spielberg’s “The Help,” among others.

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Oscarweb Round-up: Cameron Crowe's music-in-film picks

Posted by · 7:02 am · October 19th, 2011

In today’s round-up, Cameron Crowe picks his favorite music-in-film moments, an eager blogger sets about fundraising for “Tyrannosaur” and “The Dark Knight Rises” looks like it might film at Occupy Wall Street.

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Review: Toronto winner 'Where Do We Go Now?' needs directions

Posted by · 4:40 pm · October 18th, 2011

The Lebanese feminist anti-sectarian musical comedy is an underpopulated niche in world cinema. However, after Nadine Labaki’s surprise Toronto champ “Where Do We Go Now?,” it’s probably safe to consider the door on that sub-genre closed.

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The Lists: Top 10 debut performances of all time

Posted by · 11:14 am · October 18th, 2011

Hunter McCracken and Elizabeth Olsen give amazing performances in “The Tree of Life” and “Martha Marcy May Marlene” respectively this year. And in each case, it was their first at-bat. We use the occasion to look at the best debut performances, including work from Tatum O’Neal, Edward Norton and Natalie Portman.

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Oscarweb Round-up: How about cutting the double-dippers a break?

Posted by · 7:04 am · October 18th, 2011

In today’s round-up, Mark Harris points out a few ridiculous stipulations in Oscar’s rulebook that are frequently singled out, David Fincher talks about Scarlett Johansson’s audition for “The Girl with the Dragon Tattoo” and why he didn’t cast her and Beck is remixing…Philip Glass?

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Listen to John Williams's 'Tintin' score

Posted by · 2:11 pm · October 17th, 2011

After yesterday’s positive London reception, things are looking good for Steven Spielberg’s “The Adventures of Tintin,” but will the Academy respond to it? We don’t know, but John Williams’s old-school score, at least, looks a solid bet.

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More US festival awards for 'The Artist' and Olivia Colman

Posted by · 10:55 am · October 17th, 2011

Buzzy Oscar contender “The Artist” added to its trophy cabinet with wins at both the Chicago and Hamptons International Film Festivals last year, while under-the-radar Best Actress hopeful Olivia Colman took a prize for “Tyrannosaur.”

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Oscarweb Round-up: The 'Jackie Brown' press tour, 2011 edition

Posted by · 8:23 am · October 17th, 2011

In today’s round-up, Pam Grier continues the “Jackie Brown” Blu-ray press rounds, “The Descendats” star Judy Greer gets some ink for her work in the film and Zachary Quinto bravely comes out of the closet with purpose behind his actions.

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Review: Fun, frisky 'Tintin' pages Indiana Jones

Posted by · 2:55 pm · October 16th, 2011

You’d have been forgiven for thinking that Steven Spielberg had lost his fun gene after “Indiana Jones and the Kingdom of the Crystal Skull” — but “The Adventures of Tintin: The Secret of the Unicorn” is a springy, souped-up entertainment that hews far closer to the original Indiana Jones template.

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Review: 'Like Crazy' keeps too level a head

Posted by · 6:08 pm · October 14th, 2011

Winner of the Grand Jury Prize at Sundance, “Like Crazy” offers a credible look at the complications of long-distance romance — but still feels wan and emptily precious in its exploration of this scenario.

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LACMA's live read of 'The Breakfast Club,' directed by 'Young Adult' helmer Jason Reitman

Posted by · 10:06 am · October 14th, 2011

Jason Reitman has announced the first cast member of his live read of “The Breakfast Club” as part of LACMA’s inaugural film series: Patton Oswalt. Others will be announced throughout the week.

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