In Contention

Tag: Sight and Sound

  • Sight & Sound names ‘Social Network’ best of 2010

    It’s been five years since an American film topped the annual poll of venerable British film mag Sight & Sound, and even longer since a major studio picture took the honor. So congratulations are in order to “The Social Network,” which received the most votes across the selection of 85 international critics invited to submit their top five films of 2010, following in the footsteps of “Brokeback Mountain,” “Hidden,” “4 Months, 3 Weeks and 2 Days,” “Hunger” and “A Prophet.” (The last-named film appears again in this year’s list, thanks to the votes of critics who came to it later.)

    That David Fincher’s film should have won out in a poll traditionally dominated by world arthouse cinema suggests it could well be the most-favored title in next month’s avalanche of US critics’ awards, positioning it as the discerning voter’s alternative to more milquetoast bait in the Oscar race. “The King’s Speech,” of course, doesn’t even come near the magazine’s Top 12 (usually a Top 10, extended due to ties); indeed, of all films even remotely in the Oscar conversation, only “Another Year” and “Winter’s Bone” (surfacing in some interesting places, that one) feature.

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  • Cahiers, Sight & Sound offer decade lists

    Tom Cruise and Dakota Fanning in The War of the WorldsThe recent barrage of end-of-decade collectives has probably been enough to sate the appetite of even the keenest listoholic — but having consciously avoided most such lists while I worked on my own, I’m still wallowing in them.

    So I can’t resist mentioning out the lists of two of the world’s leading film magazines — the eccentric, über-cinephilic Cahiers du Cinéma, and my own favorite, Sight & Sound. The Cahiers list is exactly what you’d expect from them, with a cineaste’s twisted valentine to Hollywood atop the pile, while its one concession to populist commercial cinema is a typically perverse choice:

    1. “Mulholland Drive” (David Lynch)
    2. “Elephant” (Gus van Sant)
    3. “Tropical Malady” (Apichatpong Weerasethakul)
    4. “The Host” (Bong Joon-ho)
    5. “A History of Violence” (David Cronenberg)
    6. “The Secret of the Grain” (Abdelatif Kechiche)
    7. “West of the Tracks” (Wang Bing)
    8. “War of the Worlds” (Steven Spielberg)
    9. “The New World” (Terrence Malick)
    10. “Ten” (Abbas Kiarostami)

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  • Sight & Sound names ‘A Prophet’ best of 2009

    (left to right) Adel Bencherif and Tahar Rahim in A ProphetNo annual Top 10 list carries more weight with me than that compiled by Sight & Sound, the UK’s premier film magazine. One of the most thorough and prestigious collectives out there, it’s collated from the individual lists of over 60 international critics, including the likes of Kenneth Turan, Mark Kermode, Amy Taubin, Armond White and IC friend Tim Robey.

    The S&S list usually chimes in quite neatly with my own personal taste: last year’s edition (topped by Steve McQueen’s “Hunger”) featured six titles that ultimately landed on my own end-of-year rundown. This year’s is no different: regular readers will recognize a number of titles that I’ve been banging on about all year, including a most gratifying double-dip for the great Claire Denis. (Where was all this support for “White Material” when I needed it in Venice?)

    All in all, it’s a pretty impeccable selection of films, one that gives the lie to those saying 2009 is a weak year. I’d like to see the Academy even try to put together a Top Ten as strong as this…

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  • S&S names ‘Hunger’ best of 2008

    Sight & Sound’s annual Top Ten is, for my money, one of the most intelligent and respectable of all critics’ lists, and this year’s is no exception. Revealed in the magazine’s just-out January 2009 issue, the list is drawn from a poll of 50 international critics, including such heavyweights as Kenneth Turan, Amy Taubin, Armond White and Peter Bradshaw, and the results (for me, at least) are hard to argue with.

    The list rather bluntly highlights the less-than-stellar year American cinema has had, with only one 2008 U.S. picture (“WALL-E”) making the cut. (The inclusion of “There Will Be Blood” stems from UK release date differences, which might also account for the low profile of some current year-end contenders.) But it’s a rich and exciting collection of films, however you look at it:

    1. “Hunger” (Steve McQueen)
    2. “There Will Be Blood” (Paul Thomas Anderson)
    3. “WALL-E” (Andrew Stanton)
    4. “Gomorrah” (Matteo Garrone)
    =5. “A Christmas Tale” (Arnaud Desplechin)
    =5. “The Class” (Laurent Cantet)
    7. “Of Time and the City” (Terence Davies)
    8. “Happy-Go-Lucky” (Mike Leigh)
    =9. “The Headless Woman” (Lucrecia Martel)
    =9. “Let the Right One In” (Tomas Alfredson)

    I can’t tell you how much happier I would be if the eventual Best Picture nominees were drawn from that lot. We can but dream.

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  • Sight & Sound weighs in on Cannes

    OK, so Cannes is old news, but for me it’s never really over until Sight & Sound prints its annual Cannes review – for my money, the British magazine offers the most expansive and thoughtful coverage of the festival around. It’s not available online, but it’s worth grabbing a copy if you can. Meanwhile, I’ve picked out a few highlights from editor Nick James’ commentary on the key festival films.

    Interestingly, James agrees by and large with the jury’s selections. He names “The Class” as his favourite film of the festival, declaring it “so electrifying, satisfying and inspiring that it’s hard to believe it isn’t the work of professional fiction weavers at the top of their trade.” He also joins the chorus of approval for “Gomorra:” “So compelling is the detail that there’s no need for thriller conventions … Garrone’s direction makes incredible use of desolate locations and the acting is impeccable.” I must admit I am getting more excited about this film with every notice I read.

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