This is terribly sad news. Tim Hetherington, the gifted British photojournalist who justly shared a Best Documentary Feature Oscar nomination with Sebastian Junger earlier this year for their joint debut “Restrepo,” has died on the front line in Misrata, Libya, where he was documenting the conflict. Also killed was his colleague, Pulitzer Prize-winning photographer Chris […]
Tim Hetherington (1970-2011)
Posted by Guy Lodge · 10:48 am · April 20th, 2011
Filed in: Daily
OSCAR GUIDE: Best Documentary (Feature)
Posted by Kristopher Tapley · 7:24 am · February 18th, 2011
It has been noted what a solid year of documentary filmmaking 2010 was. It was well-reflected in the Academy’s initial narrowing of the feature field to 15 contenders and is certainly evident in the ultimate quintet of nominees, each of them informative and bold in their own ways. Still, it came as quite a shock […]
Filed in: Oscar Guide
OFF THE CARPET: Giving thanks
Posted by Kristopher Tapley · 9:41 am · November 22nd, 2010
As we move into turkey (or tofurkey, if that happens to be your speed) week 2010, it seems proper, if a tad bit obvious, to take a moment and give thanks. So in lieu of a proper analysis of the season’s progression this week, allow me to express my boundless, breathless appreciation for the following: […]
Filed in: Off the Carpet
INTERVIEW: ‘Restrepo’ co-director Sebastian Junger
Posted by Guy Lodge · 11:04 am · July 9th, 2010
It may have a hard time distracting audiences from shinier baubles on the summer-movie tree, but there are few films currently in theaters more invigorating and essential than “Restrepo.” An unprecedentedly first-hand war documentary, shot on the fly by a pair of filmmakers embedded in a U.S. Army unit stationed in Afghanistan’s perilous Korengal Valley, […]
Filed in: Interviews
EDINBURGH: ‘Get Low,’ ‘Restrepo,’ ‘Vacation!’
Posted by Guy Lodge · 5:02 pm · June 24th, 2010
My third day in the ‘Burgh (shut up, I have legitimately heard people call it that) wasn’t as film-heavy as the previous one: social commitments and a certain football match between Slovenia and some other country got in the way. Under these circumstances, three screenings — taken together, as disparate a cross-section of the U.S. […]