Venice Film Festival Coming as it does from a filmmaker whose previous work has bent over backwards to reclothe and perfume the unglamorous body of the prestige biopic, the opening beats of Julian Schnabel’s latest, “Miral,” couldn’t be more prosaic. For a good few minutes, the credit sequence offers the eye little more than a […]
SHORT TAKE: “Miral” (**)
Posted by Guy Lodge · 5:06 am · September 2nd, 2010
Filed in: Reviews