Sound mixing has a lot in common with sound editing, but the distinctions are still critical. While both clearly relate to what we hear in the theater, sound editing specifically relates to the creation of artificial sounds (“sound effects”) while sound mixing brings everything together — from effects to music to dialogue (recorded on set or during post-production) to music – into the overall soundscape of a film.
Many of the same kinds of films that are nominated for Best Sound Editing are also frequently cited here – blockbusters, action films and war films. But musicals often pop up here, too. And as in most categories, being a Best Picture contender certainly helps titles that otherwise would not come close to this category. Though it is hardly determinative.
I said before and will say it again – I believe that Christopher Nolan’s “Inception” is leading the way here, at least in terms of likelihood of a nomination. I honestly expect a good half-dozen crafts category nominations for this title and this will be among them. And I expect the crew, including past nominee Gary Rizzo, to be firmly in the hunt for the statuette.
From pulse-pounding beginning to edge-of-your-seat end, J.J. Abrams’ “Star Trek” moves at a break-neck pace that never lets up, never misses a beat and shockingly, never loses itself in its labyrinthine story. It is a near-perfect action thrill ride that ticks off every box on the ultimate movie experience checklist and perhaps adds a few more.