Only two weeks into my new feature and I’m already a day late — apologies. My laptop (now cured, at least until its next mood swing) will graciously accept the blame.
If you missed last week’s introductory instalment, the game is a simple one. In the run-up to nomination day, I’m picking five outstanding contenders in each major category in films from the first half of the 2010 release schedule: a period repeatedly neglected by voters in favor of newer, shinier delights. We started with Best Supporting Actress — during which I learned that a lot of you really don’t like Taylor Swift, but you still all saw “Valentine’s Day” — and this week we fill in the male half of the equation.
Keen as I am on all five performances I dredged up from the January-to-June wilderness, I was somewhat disappointed to note a very similar template forming to last week’s list: one French breakthrough talent, one blockbuster high point, even one star from a particular film. All accidental, I assure you… but to think I complain about “slot” mentality in the Oscar-analysis game.
“How many films did you see today?” It’s an innocent-sounding question that you nonetheless feel oddly cautious answering at a festival. Did I see too few? Do they think me a lightweight? Should I squeeze in a midnight screening of that Iranian peasant musical I really have no interest in seeing, just to beef up my score?
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