In Contention

Tag: Critics Choice Awards

  • WEEKLY WRAP: Globes chatter, Batman buzz, foreign Oscar surprises

    • The Golden Globes did their thing, with Ricky Gervais’s antics drawing more attention than the sweep for “The Social Network.”

    • David Fincher’s film continued its dominance at the Broadcast Film Critics’ Association Awards, which Kris reported from first-hand.

    • As if to remind us that there’s more than one film in the race, this week’s BAFTA nominations were ruled by “The King’s Speech” and “Black Swan.”

    • Sadly, we bade farewell this week to regular columnist Chad, who left us with his idiosyncratic Best of 2010 list.

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  • ‘Social Network’ rules BFCA Critics’ Choice Awards

    I’m sure Kris is having entirely too good a time at the post-awards party to huddle over a computer screen — perhaps he’ll have some insider perspective to add later — so let’s run through a couple of the most salient points for now.

    If you need to be told “The Social Network” triumphed in the top categories, well, welcome back from your spiritual retreat in the far reaches of Nepal. I hope you’re well rested. Interesting to see the film’s sway extending to the Best Original Score category, where Trent Reznor and Atticus Ross very coolly upset Hans Zimmer — though “Inception” fans will be pleased to note the film’s impressive haul elsewhere in the techs.

    No surprises whatsoever in the acting races, though I’m pleased to see Melissa Leo holding on to her early-season momentum in the supporting actress race; Hailee Steinfeld had to settle for the Best Young Actor prize.

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  • An evening at the CCMAs

    Kathryn Bigelow at the 15th annual Critics' Choice Movie AwardsAlright, now that the booze and the hangover have worn off, let’s talk last night’s Critics’ Choice Movie Awards.

    It was a decently produced evening, the venue having shifted from the Santa Monica Civic Center to the Hollywood Palladium, right in the middle of Tinseltown.  The scheme of having 10 tables rounding the stage representing the 10 films nominated for Best Picture was a nice touch.  I was fortunate enough to be at the “Up in the Air” table with Jason Reitman, Vera Farmiga (who I was meeting for the first time) and Anna Kendrick.

    George Clooney was a no-show (working on his upcoming Haiti telethon), though at least that didn’t make for an awkward moment later when Jeff Bridges won the lead actor prize, the first on his way to an eventual Oscar win.

    Anyway, a few notes (since Guy has already given you a thorough rundown of last night’s implications)…

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  • WEEKLY WRAP: BFCA awards, Guilds triple, Rohmer passes

    A still from Claire's Knee by Eric Rohmer• As you’ve just heard, “The Hurt Locker” emerged triumphant at the BFCA Critics’ Choice Awards.

    • Earlier this week, Éric Rohmer, sly giant of New Wave intellectualism, passed away at the age of 89.

    • That same day, “Avatar,” “The Hangover” and “Star Trek” were among the films nominated by the WGA.

    • The ASC slate continued the love for “Avatar,” but a semi-surprise nod for “The White Ribbon” got pundits’ attention.

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  • ‘Hurt Locker’ takes top honors at Critics’ Choice Awards

    Best Actress winners Meryl Streep and Sandra Bullock at the Critics' Choice AwardsThe BFCA are rarely ones to take an individual stand on the awards trail, and such was the case last night, as they mostly stuck with Oscar frontrunners down the line. In the numbers stakes,  “Avatar” (with six awards) and “Inglourious Basterds” (with three) came out on top.

    But it was “The Hurt Locker” that emerged as the night’s real winner, maintaining its tight season-long grip on the Best Picture and Best Director prizes, even with this more mainstream-oriented group. (It should be stressed that, despite the name, this is not a critics’ award.)

    Is this another “Sideways” — which also managed to parlay critical momentum into a top win here — or is something bigger afoot for the film? I’m starting to suspect the latter.

    Kris can obviously offer more first-hand perspective at a later stage. Still, the sense I get from this is that, for all the claims of it being a level three-horse race, “Up in the Air” is actually trailing “The Hurt Locker” and “Avatar” — if any major precursor was going to swing the way of Jason Reitman’s film, I’d have expected it to be the sometimes safe-playing BFCA.

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  • The Critics’ Choice Movie Awards

    I’m out of here, down to the Palladium for tonight’s festivities.  Maybe I’ll Tweet this or that, maybe not.  Use this space to discuss the winners and losers as you see fit (unless Guy happens to wander in with a dedicated thread).  The show starts at 9:00pm EST, 6:00pm EST on VH1.

  • OSCAR TALK: Ep. 18 — WGA, ACE, ASC, parties, awards shows on the way…uh, we forget anything?

    Oscar TalkWelcome to Oscar Talk, a weekly kudocast between yours truly and Anne Thompson of Thompson on Hollywood.

    After a busy week of guild announcements and circuit parties, not to mention plenty of industry news from NBC to Disney and anything in between, Anne and I are beat. And we’re moving into a busy weekend of awards shows and gatherings as well, so there’s no rest for the wicked. That having been said, let’s dive in to today’s topics:

    • The Writers Guild of America announced its slate of contenders Monday, following a rash of ineligibilities that were revealed last week. We discuss the implications, if any.

    • The WGA wasn’t the only guild staking a claim this week. The American Cinema Editors and the American Society of Cinematographers also nominated. We touch on them briefly.

    • We’ve been bouncing all over town this week as studios put their best foot forward on the party and event circuit. We touch on a pair of them celebrating the sound of “Transformers: Revenge of the Fallen” and the principals of Warner’s “The Blind Side.”

    • The Critics’ Choice Movie Awards are tonight, followed by the Golden Globes on Sunday. Oh yeah, and some parties, too. We preview the busy weekend ahead and discuss the three-horse race for Best Picture.

    You can listen to this week’s podcast below, with Patterson’s Hood’s original song “Depression Era” leading the way. It goes a bit long but we had lots to discuss. As always, you can subscribe to Oscar Talk via iTunes here.

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    Subscribe to Oscar Talk

  • BFCA/HFPA on the way

    Golden Globe AwardsThis weekend the first two major televised awards shows will hit and the race will begin to take a certain shape.  Though to be quite honest, I’m beginning to get the sense that each of these major precursors will go different ways.  At the end of the day, I think we could be looking at a three-horse race all the way up until the Best Film Editing award on Oscar night (which will either go to “Avatar” or “The Hurt Locker”).  Then it’ll be a two-horse race between that film and “Up in the Air” right up until the final envelope is opened.

    This is what we wanted, though.  Right?

    Pete Hammond does a nice job of previewing the BFCA’s Critics’ Choice Movie Awards at The Envelope.  Pete and I did a little dog and pony Q&A intro to a free showing of “Up in the Air” at the Landmark theater in West L.A. last night to a packed house.  Some 60 attendees were turned away at the door.  Mainly it was raising awareness, discussing the nominees, offering up who we voted for, etc.

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  • Kevin Bacon to receive BFCA’s Joel Siegel Award

    Kevin BaconThe press release, in part:

    The Broadcast Film Critics Associa tion (BFCA) announced today that renowned actor and philanthropist Kevin Bacon will be presented with the third annual Joel Siegel Award by Meryl Streep at the 15th Annual Critics’ Choice Movie Awards. The ceremony, hosted by Kristin Chenoweth, will air live on VH1 Friday, January 15, 2010 at 9:00 PM ET/PT

    Given annually, this special award pays homage to beloved “Good Morning America” film critic and BFCA member Joel Siegel, who lost his long struggle with cancer in June, 2007.

    Kevin Bacon is one of the foremost actors of his generation and has starred in over 50 films. His talent for balancing starring roles with powerful supporting characters on both film and stage has allowed him to build a varied and critically acclaimed body of work. Kevin has proven his talents in a wide range of film genres from action thrillers to romantic comedies to heavy dramas, and even the occasional musical. Kevin most recently starred in “Taking Chance” for which he received Emmy, Golden Globe and SAG Award nominations.

  • 12/14 Oscarweb Round-up

    George Clooney in Up in the Air• In case you missed this morning’s announcement, “Inglourious Basterds” and “Nine” led the field of BFCA nominees. [In Contention]

    • Frank Rich op-eds a love letter to “Up in the Air.” [New York Times]

    • Steve Pond painstakingly assembles a primer on how many votes a contender needs for an Oscar nomination per category. [The Odds]

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  • ‘Basterds,’ ‘Nine’ lead the pack with BFCA

    Eli Roth in Inglourious BasterdsFor better or worse, the Broadcast Film Critics Association has, of late, been frequently cited for its Oscar prognosticative prowess. Of course, it’s a pointless tidbit in the grand scheme and no one should be looking at organizations like this to see how accurate they might be on that front (even if this one in particular, of which I am a member, makes it a point every year to remind you).

    Having said that, I don’t think anyone would be shocked in the slightest if the BFCA’s list of 10 Best Picture nominees (see below) matches the Academy’s 10-for-10 this year. There is just one film on the list that ever felt truly questionable to me at some point along the way, and even that seems more and more locked in as latter-year hopefuls fail to catch expected fire.

    “Inglourious Basterds” and “Nine” led the way with 10 nominations each, a new record.  However, given the addition of below the line categories this year, it’s worth noting that their tallies wouldn’t have been so robust in the past. Quentin Tarantino’s film would have landed five nominations if it was business as usual. “Nine” would have landed three.  And “Up in the Air” would have led the field.

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  • Kristin Chenoweth to host Critics’ Choice Awards

    Kristin ChenowethThe press release, in part:

    The Broadcast Film Critics Association (BFCA) has announced that Emmy and Tony Award winning actress Kristin Chenoweth will be taking the stage as host for the 15th Annual Critics’ Choice Movie Awards gala on Friday, January 15, 2010 at the Hollywood Palladium…

    “We are delighted to have a triple threat such as Kristin Chenoweth, a multiple award-wining star of the stage, film and television as host for our show,” said Tom Calderone, President of VH1. “Kristin is hugely talented with broad appeal and will bring a tremendous energy to the live ceremony.”

    The 15th Annual Critics’ Choice Movie Awards gala will air live for the third straight year on VH1 on Friday, January 15, 2010 at 9:00 PM*. The awards are bestowed annually by the BFCA to honor the finest in cinematic achievement. Since its inception in 1995, the Critics’ Choice Movie Awards has been a star-studded bellwether event of the awards season and historically, the most accurate predictor of the Academy Award nominations.

    Our ballots are due Saturday, by the way. Nominees will be announce December 14.

  • BFCA adds categories

    Sean Penn at the 2009 Critics Choice AwardsHot off the presses:

    The Board of Directors of the Broadcast Film Critics Association has voted unanimously to expand the categories we will be voting on for this year’s 15th annual Critics’ Choice Movie Awards. More fun for everybody!

    We believe it is appropriate and wise for the BFCA to model its categories more closely after those of the Academy of Motion Picture Arts and Sciences. This means adding several “technical” categories, dividing Best Screenplay into Original and Adapted, and tweaking a music category from Best Composer to Best Score. We will not be voting on shorts and we will only be voting one Best Sound category. (And we most likely will not present any of the new categories on our live telecast as we still have only two hours on VH1.) We will still be voting in our unique categories, including Best Comedy, Best Action Movie, Best Young Actor and Best Acting Ensemble.

    Full list of categories after the jump.

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  • Hammond talks the season’s changes

    Golden GlobesIt’s a year of considerable upheaval in the film awards landscape.  This year has already brought a new AMPAS president, the addition of five new slots to the Best Picture category and a refined voting process for the top field as well.  But that’s not where the changes end.

    Pete Hammond is back on board for another year of his weekly Notes on a Season columns at The Envelope, and in this year’s introductory piece, he charts a number of other alterations to the season’s status quo:

    On Jan. 17, the Golden Globes, in a grab for increased ratings, are going to be broadcast live coast-to-coast on NBC for the first time; the BFCA’s Critics Choice Movie Awards are moving from Santa Monica to Hollywood two days earlier on Jan. 15 and will be tweaking its VH1 on-air category lineup and broadening its audience potential; the pre-Oscar Saturday tradition of a tented Independent Spirit Awards is also moving away from the sands of Santa Monica and into an unnamed venue on Friday night instead — a first in its 25-year history. Plus insiders are hinting to us that the Producers Guild may also be making a MAJOR voting change…

    That “major change,” Hammond ultimately confides, is that the PGA’s list of nominees might stretch to 10 as well this year.  Check out the rest at Notes on a Season.

  • OFF THE CARPET: From the horse’s mouth

    Kate Winslet at the 66th Annual Golden Globe AwardsThe last two weeks have been a leaf blower to the debris an awards season can accumulate.  Individuals with some real say in the ultimate Oscar picture have finally gone on the record, painting a rather clear picture of the industry’s favorite films of 2008.

    But before diving into the realities of the various guild announcements, it is probably worth touching upon the gleeful diversions of the Critics’ Choice Awards and the Hollywood Foreign Press Association’s Golden Globe Awards.

    These are the two culminating critics soirees, capping off the annual critical kudos sprint through December and early January.  Both proudly declare themselves Oscar harbingers but only one seems to find itself decided from a critical mindset (even if that mindset is still warped by pegging a zeitgeist).  The other is, as always, a drunken time amongst industry friends that goes its own way.

    But dare I say it, this year the HFPA may have actually raised the bar for the Academy.  After years of embarrassing nominations announcements and sometimes bewildering winner choices, the group awarded a slate of contenders last night that stuck out as noble and, shockingly, novel.

    Can the Academy’s membership reach out to Mickey Rourke and meet him half way like he has clearly done this season to an industry that has shunned him for so many years?  Can they find a way to spread the kudos love while an inevitable “Slumdog” sweep pushes through the evening of February 22?

    Moreover, can AMPAS have the balls to follow in the HFPA’s footsteps with a double win for Kate Winslet, arguably deserving this year and a move that would be inarguable as a hell of an apology for years of Oscar losses?  The actress joined Sigourney Weaver last night as one of only two actresses to win a pair of Golden Globe awards for film performances in one evening.  Your move, Oscar.

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  • 1/10 Oscarweb Round-up

    Nicole Kidman in Australia• “Milk” composer Danny Elfman has signed on to score “Terminator Salvation.”  Eh. [MTV]

    • Jeffrey Wells keeps the quoted-out-of-context game running with that Nicole Kidman “squirm” story. [Hollywood Elsewhere]

    • Regarding said story, Michael Cieply reports it properly, indicating the “perils of candor.” [The Carpetbagger]

    • Alicia Lozano writes up the resurrection of the Golden Globes. [The Envelope]

    • Tom O’Neil has some backstage interviews from Thursday’s Critics’ Choice Awards. [Gold Derby]

    • Anne Thompson reports on Oscar hopes from the AFI Awards. [Thompson on Hollywood]

    • T.L. Stanley stakes a claim for her Golden Globe bets. [Gold Derby]

    • Guy Adams has a preview of the upcoming Globes, with a bit about that Anne Hathaway win slip-up. [The Independent]

    • Exciting times for indieWIRE: a new design and, apparently, a newly imagined site is on the horizon. [indieWIRE]

  • Getting around to the BFCAs

    Kate Beckinsale in Nothing But the TruthA late night premiere and after party kept me in bed most of the morning.  It happens.  So I’m just now coming around to today’s BFCA announcement.  First, some reactions (full disclosure, I am a member of the organization).

    First and foremost, the group subtracted one category (Best Family Film) and added another (Best Action Film).  I think we all know where the latter is headed.  Speaking of which, “The Dark Knight” actually had a hell of a showing, popping up in the expected areas but also grabbing a nomination for director Christopher Nolan and composers James Newton Howard and Hans Zimmer (who find themselves back in the Oscar hunt as of yesterday).

    The group also combined the Best Young Actor and Best Young Actress categories to reflect both sexes in the same arena.  A good call, since I’m sure I’m not the only one who has felt like I was grasping at straws to list six names some years.

    The startling omission: “Revolutionary Road.”  I’m sure there are more than a few broken hearts at Paramount Vantage this morning, but chin up.  “Into the Wild” landed the most nominations with the BFCA last year and only managed two Oscar nominations.  So it all goes to show you these things aren’t set in stone.  That having been said, the BFCA is simply the best Oscar predictor around and I’m thinking it will prove itself a nice tip sheet going into January 22.

    A few quasi-surprises were in store.  I’m sure not too many people were expecting Kate Beckinsale and Vera Farmiga’s names to pop up for Rod Lurie’s “Nothing But the Truth.”  Lurie, it should be said, is a founding member of the BFCA, though in fairness, that was 15 years ago and he was in the group for two years.  He has friends in the organization, sure, but they represent a fraction of the 200-strong membership.  Regardless, I truthfully think both actresses deserve a spot at the table so it’s nice they could push their way through.

    But getting back to “Revolutionary Road,” this is an out-and-out shut-out, and that really hurts the film’s buzz potential.  It’s one thing to miss this category or that, but nothing for Leo (with six shots at it), nothing for Kate (ditto), not even a nod for Michael Shannon, who damn well deserves a mention.  I’m truthfully surprised.  I think our Best Picture line-up will be taken from the top 10 list, and like I said, it can’t be happy times for that hard-working crew.  Scott Rudin is still sitting pretty, though, as his “Doubt” popped up in a number of areas.  But “Button,” “Dark Knight,” “Frost,” “Milk,” “Slumdog” — you might as well take it to the bank.

    Oh, and one final note.  I’m actually quite happy to see Clint Eastwood’s name pop up in the composer category for “Changeling.”  I think the jazzy soundtrack is his best work as a film musician to date and, if the Academy’s music branch ever saw past their bias, would make a fine Oscar nominee.  Nice to see him show up here.

    The top 10 list, with a full list of nominations after the jump:

    Best Picture
    “Changeling”
    “The Curious Case of Benjamin Button”
    “The Dark Knight”
    “Doubt”
    “Frost/Nixon”
    “Milk”
    “The Reader”
    “Slumdog Millionaire”
    “WALL-E”
    “The Wrestler”

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