OSCAR GUIDE: Best Film Editing

Posted by · 9:38 am · February 21st, 2011

I’m afraid you’ll find that I’m having trouble getting all that excited about this year’s race for Best Film Editing. How can I when the absolute best editing job of the year (from a true master, no less) was shunned altogether, while a cruel joke was played in the form of “Inception” editor Lee Smith […]

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Filed in: Oscar Guide

2/16 OSCARWEB ROUND-UP: Oscars invade Grand Central, details on Oscarcast opening number, Gurus’ final picks

Posted by · 9:54 am · February 16th, 2011

• Wes Anderson talks editing “Black Swan” with Andrew Weisblum. [Awards Campaign] • Oscars invade New York’s Grand Central terminal. [Oscars.org] • Mandi Bierly gets a few Oscarcast details on the Franco-Hathaway chemistry and the opening number. [Inside Movies]

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2/7 OSCARWEB ROUND-UP: The country turns to a flawed ‘Grit’ hero, will win/won’t win, Lanthimos talks ‘Dogtooth’

Posted by · 8:58 am · February 7th, 2011

• “Why, in troubled times, does America turn to a hard-drinking, half-blind US marshal?” [The Guardian] • Bob Verini takes the pro/con route on each Best Picture hopeful. [Variety] • Larry Rohter chats with “Dogtooth” director (and unlikely Oscar nominee) Yorgos Lanthimos. [The Carpetbagger]

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TECH SUPPORT: Final analysis, part two

Posted by · 9:48 am · January 21st, 2011

Yesterday I began a final look at the crafts categories. Today, a look at the four remaining fields: Best Art Direction, Best Cinematography, Best Costume Design and Best Film Editing. BEST ART DIRECTION The precursors of the BFCA, BAFTA and Art Directors Guild have been fairly consistent in citing four titles in this category. Last […]

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AFI FEST: ‘Black Swan’ LA premiere wraps things up

Posted by · 10:06 am · November 12th, 2010

Last night was closing night of the 2010 AFI Fest, and they put a bow on things by offering up the Los Angeles premiere of AFI alum Darren Aronofsky’s “Black Swan.” I decided to head over to the Chinese Theatre to give it another look.  At this stage in the season, Telluride feel like ages […]

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TECH SUPPORT: Best Film Editing — Volume II

Posted by · 11:33 am · October 28th, 2010

So important but so hard to notice. That’s how I would describe the work of our best film editors – those cutting artists who blend and juxtapose frames together to make films coherent, establish a flow and also set the mood in a manner that suits the screenwriter’s words and the director’s vision. The Academy […]

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Filed in: Tech Support