As the year winds down, and critics and entertainment journalists search for neat blanket tags with which to label the year that was, “the year of animation” is a phrase that is getting increasingly bandied about – some going so far as to declare 2009 the greatest year of all time for animated product. (Certainly, TIME magazine has fed that narrative, by naming a trio of ‘toons the year’s three greatest films.)
It’s up for debate whether such talk is a result of extraordinary across-the-board quality, or sheer numbers. Make no mistake, this year has turned up more visible animated titles, in a broader range of artistic formats, than any in recent memory.
Confirmation of this deluge comes in the Academy’s official listing of 20 titles in the hunt for the Best Animated Feature Oscar – the largest number since the category’s inception in 2001, and one that ensures the first five-strong slate of nominees since 2002.
Of course, 2002, despite the higher-than-usual proportion of contenders, was hardly a banner year for the medium: “Spirited Away” may have taken a well-deserved Oscar, but the amount of filler it had to beat in the process – including such already forgotten snoozes as “Spirit: Stallion of the Cimarron” and “Treasure Planet” – was proof positive that quantity doesn’t equal quality in this particular race.
One of the titles we mentioned a couple of weeks ago that could slide in and help rescue the animated feature category (as in, push the field of qualifying contenders closer to 16, which would yield the potential for five, rather than three nominees) was something called
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We’ve been hot on the animated feature trail as of late, keeping a keen eye on the number of films that have qualified, plan to qualify, or have opted out of qualifying, the magic number of 16 titles (which would warrant a five-nominee slate rather than three) being the key throughout.
Two weeks ago we told you about
Yesterday we
Pete Hammond has gone ahead and written the