The Great Performances: 1997

Posted by · 8:03 am · October 23rd, 2009

Jodie Foster in Contact1997 was a great year for actors, but a tough year for Oscar; how do you choose when there are so many deserving nominees?

It’s that age-old issue that some award-worthy performances are going to be left out, which though unfair and sad, is very much part of the Academy Awards and frankly what makes the whole thing interesting for us.  The Best Actor field ended up largely a battle of the old boys.  The acting warriors from the 1970s gave some of their finest performances in 1997, and four of the five nominees for Best Actor had been icons for 20 years.

In fact the Academy could have allowed the one upstart to slip past and nominated Al Pacino in “Donnie Brasco,” which was the actor’s best work in years. As it was Pacino was by-passed in favor of young Matt Damon in “Good Will Hunting,” who found himself going toe-to-toe with Robert Duvall in “The Apostle,” Jack Nicholson in “As Good As It Gets,” Dustin Hoffman in “Wag the Dog” and Peter Fonda in “Ulee’s Gold.”

I first saw Duvall’s performance at the 1997 Toronto International Film Festival and have written about it many times since.  He won the Los Angeles Film Critics Association’s Best Actor award, and then the National Society of Film Critics’ honor, but the Mayor of Hollywood stood in the way of Duvall’s second Oscar.

Jack Nicholson had given a fine performance as a writer suffering from Obsessive-compulsive disorder with a nasty penchant for saying precisely what is on his mind at the wrong time. The role was a good fit for Nicholson and he gave it all he had, offering one of his best performances as well.  He won a Golden Globe and a SAG award, among other designations.

There was the outside threat of Peter Fonda in “Ulee’s Gold,” which had won him the New York Film Critic Circle’s award and the Golden Globe for drama, but it looked like Jack’s Oscar, and of course it was.

Pacino’s snub was surprising because the actor gave his best performance since “Dog Day Afternoon” as an old low-level mobster trying to stay alive, a far superior performance than the one they gave him the Oscar for in 1992.  Among the actors joining Pacino on the sidelines in 1997 were Leonardo DiCaprio in “Titanic,” a shock since his co-star Kate Winslet was nominated; Pacino’s co-star, Johnny Depp in one of his finest performances; any of the gents from “L.A. Confidential,” who all deserved attention in either the lead or the supporting category; Sean Penn in “She’s So Lovely,” which was a daring and fine piece of acting that might have been too dark for the Academy, and Ian Holm in “The Sweet Hereafter.”

Like Matt Damon, young actor Ethan Hawke gave a brilliant performance in “Gattaca,” though one must wonder how many people actually saw the film at the time.  It was deserving, sure, but not visible enough.  The ladies, however, made for a strange lot, with the eventual winner coming as something of a shock because the performance is so…average.

Helen Hunt won the Oscar for her work opposite Jack Nicholson in “As Good As It Gets.” Her worl is acceptable, though that New York accent seems forced and sometimes just isn’t there.  In no way was she stronger than any of the other four nominees, or a trio of ladies not even nominated.

Of the nominees, the winner should have been either Julie Christie in “Afterglow” or Judi Dench in “Mrs. Brown,” though Helena Bonham Carter gave a lovely performance in “The Wings of the Dove,” and Kate Winslet made those dreadful lines in “Titanic” somehow come to life.

Not nominated were Jodie Foster in “Contact,” Robin Wright Penn in “She’s So Lovely” and Pam Grier in “Jackie Brown.” Foster’s scenes in “Contact” when she sees the vastness of the universe and begins to laugh and weep at the same time, the awe forever registering on her face, were astounding, and I found her work in that film to be better than either of her previous Oscar wins, truth be told.

However, the best performance by an actress I saw in 1997 was given by Jennifer Jason Leigh in “Washington Square,” a remake of “The Heiress” with Leigh astonishing as an average young woman born into wealth looking for love, but under the thumb of her nasty father who demeans her at every chance and ruins any chance she may have at love. Sadly the Academy did not even nominate Leigh, one of the generation’s finest actresses, and to this day she remains without a nod.

The Best Supporting Actress category was another strong one, filled with excellent performances, with the eventual winner being Kim Basinger for her fine work in “L.A. Confidential.” When I heard Gloria Stuart had been nominated for “Titanic” I thought it was over and they would hand it right over. A star of the 1930s cinema, Stuart had never found the fame “Titanic” gave her, and it gave the Academy a chance to wax sentimental…but they didn’t.

Basinger was a worthy winner, though Julianne Moore in “Boogie Nights” gave the best performance of the nominees. The other two were the hysterically funny Joan Cusack in “In & Out” and Minnie Driver in “Good Will Hunting.” Strangely missing was Sarah Polley for her haunting performance in “The Sweet Hereafter” as an abused teenager crippled in a bus accident that claims the lives of all the town’s children but her.

Allison Elliott was criminally snubbed for her wonderful performance in “The Wings of the Dove,” the best work in the film.  Anne Heche did some fine work in “Wag the Dog” and Christina Ricci, Joan Allen and Sigourney Weaver were all superb in “The Ice Storm.”

Though Robin Williams won the Oscar for Best Supporting Actor in “Good Will Hunting,” most of the critics’ awards had gone to Burt Reynolds for his spot-on work as an aging porn director in “Boogie Nights,” a role that nearly went to Warren Beatty. Though Reynolds hated the film and his work in it the first time he got a look, he changed his tune once the reviews started coming in. He got his first Oscar nomination for the part, and deserved to be the winner.

The other nominees — Anthony Hopkins in “Amistad,” Greg Kinnear in “As Good As It Gets” and Robert Forster in “Jackie Brown” — were not even close. Again, any one or more of the men from “L.A. Confidential” could have been in this category, my personal choices being Kevin Spacey and Russell Crowe, both electrifying.  And Ben Affleck did some fine work in “Good Will Hunting.”

Both Kevin Kline and Tobey Maguire gave sterling performances in “The Ice Storm,” and though perhaps not Oscar worthy, I quite liked what Tom Selleck and Matt Dillon gave us in “In & Out.” Finally, while Robert Forster deserved his nod in this category for “Jackie Brown,” I have to ask: Where was Samuel L. Jackson? He made my blood run cold with his powerful performance as a very bad dude.

What are your thoughts on the best performances from 1997?  Have your say in the comments section below!




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53 responses so far

  • 1 10-26-2009 at 11:02 am

    Ivan said...

    BEST MOTION PICTURE
    Boogie Nights
    Gattaca
    L. A. Confidential
    The Sweet Hereafter*
    Titanic

    BEST DIRECTOR
    Paul Thomas Anderson/Boogie Nights
    James Cameron/Titanic
    Atom Egoyan/The Sweet Hereafter*
    Curtis Hanson/L. A. Confidential
    Ang Lee/The Ice Storm

    BEST ACTOR
    Russelll Crowe/L. A. Confidential
    Matt Damon/Good Will Hunting
    Peter Fonda/Ulee´s Gold*
    Ian Holm/The Sweet Hereafter
    Jack Nicholson/As Good As It Gets

    BEST ACTRESS
    Helena Bonham Carter/The Wings of the Dove
    Julie Christie/Afterglow
    Pam Grier/Jackie Brown*
    Helen Hunt/As Good As It Gets
    Kate Winslet/Titanic

    BEST SUPPORTING ACTOR
    Robert Foster/Jackie Brown
    Jude Law/Gattaca
    Al Pacino/Donnie Brasco
    Burt Reynolds/Boogie Nights*
    Robin Williams/Godd Will Hunting

    BEST SUPPORTING ACTRESS
    Kim Basinger/L. A. Confidential
    Joan Cusack/In & Out
    Julianne Moore/Boogie Nights
    Sarah Polley/The Sweet Hereafter*
    Christina Ricci/The Ice Storm

    BEST ENSEMBLE
    Boogie Nights*
    The Ice Storm
    Jackie Brown
    L A. Confidential
    The Sweet Hereafter

    BEST ORIGINAL SCREENPLAY
    Boogie Nights*
    The Full Monty
    Gattaca
    In the Company of Men
    My Best Friend´s Wedding

    BEST ADAPTED SCREENPLAY
    The Ice Storm
    Jackie Brown
    L. A. Confidential
    The Sweet Hereafter*
    Wag the Dog

    BEST CINEMATOGRAPHY
    Amistad
    Gattaca
    The Ice Storm
    The Sweet Hereafter
    Titanic*

    BEST FILM EDITING
    Boogie Nights
    The Ice Storm
    L. A. Confidential
    The Sweet Hereafter
    Titanic*

    BEST PRODUCTION DESIGN
    The Fifth Element
    Gattaca
    Kundun
    Men in Black
    Titanic*

    BEST COSTUME DESIGN
    Boogie Nights
    The Fifth Element
    L. A. Confidential
    Titanic
    The Wings of the Dove*

    BEST MAKE UP
    Face/Off
    The Fifth Element*
    L. A. Confidential
    Men in Black
    Titanic

    BEST FOREIGN FILM
    Fireworks/Japan
    Funny Games/Austria
    My Life in Pink/Belgium
    The Perfect Circle/Bosnia and Herzegovina*
    Taste of Cherry/Iran

    BEST VISUAL EFFECTS
    Contact
    The Fifth Element
    The Lost World: Jurassic Park
    Men In Black
    Ttianic*

    BEST SOUND MIXING
    Con Air
    Contact
    Face/Off
    L. A. Confidential
    Titanic*

    BEST ORIGINAL SCORE
    The Boxer
    Gattaca*
    The Ice Storm
    The Sweet Hereafter
    Titanic

    BEST SONG
    The End is the Beginning is the End/Batman & Robin
    Miss Misery/Good Will Hunting
    My Heart Will Go On/Titanic*
    The Perfect Drug/Lost Highway
    Tomorrow Never Dies/Tomorrow Never Dies

    BEST SOUNDTRACK
    A Life Less Ordinary
    Boogie Nights
    Good Will Hunting
    I Know What You Did Last Summer
    Jacke Brown*

  • 2 11-08-2009 at 3:15 pm

    Xavi Rodriguex said...

    My line-up:

    Actor:
    -Robert Duvall, The Apostle (Runner-up)
    -Djimon Hounsou, Amistad
    -Tony Leung, Happy Together (Winner)
    -Jack Nicholson, As Good as It Gets
    -Sean Penn, She’s So Lovely
    Alt: Marj Wahlebrg, Boogie Nights, Matt Damon, Good Will Hunting
    and Daniel Day-Lewis, The Boxer

    Actress:
    -Helena Bonham Carter, The Wings of the Dove (Winner)
    -Judi Dench, Mrs. Brown (Runner-up)
    -Pam Grier, Jackie Brown
    -Helen Hunt, As Good as it Gets
    -Victoire Thivisol, Ponnette
    Alt: Parker Posey, The House of Yes and Kate Winslet, Titanic

    Supporting Actor:
    -Russell Crowe, L.A. Confidential
    -Ruppert Everett, My Best Firend’s Wedding
    -Anthony Hopkins, Amistad
    -Greg Kinnear, As Good As It Gets
    -Burt Reynolds, Boogie Nights

    Supporting Actress:
    -Kim Basinger, L.A. Confidential
    -Joan Cusack, In & Out
    -Julianne Moore, Boogie Nights
    -Sarah Polley, The Sweet Hereafter
    -Sigourney Weaver, THe Ice Storm
    Alt: Anne Heche, Wag the Dog and Donnie Brasco

  • 3 11-08-2009 at 3:18 pm

    Xavi Rodriguex said...

    I forgot:

    Supportings:
    Winners: Reynolds and Polley
    Runner-ups: Crowe and Weaver